Olivia Luengas
Director/DP/CC
In 2012 she created Phonocular, a studio that since then has sought to focus 100% on documentary content from independent creators. A couple of years ago Phonocular managed to establish itself as such.
Olivia has had the opportunity to work on documentary films such as ĀØLa Hora de la SiestaĀØ, ĀØTĆo YimĀØ, ĀØLas Flores de la NocheĀØ, ĀØBrumaĀØ, ĀØEl Viaje de PatyĀØ, among others.
She studied photography in Mexico, Spain and France. In 2018, she premiered his debut documentary ĀØLejos del SentidoĀØ with the support of the Latin American fund of the Tribeca Festival, as well as the Grodman UDEG scholarship. Selected in national and international festivals, such as the International Festival of Guadalajara, Morelia, Lima, AFI, etc. She won the Star Prize at the Havana Film Festival in NY. She later made the documentary ĀØLa Abuela del AƱoĀØ and now is currently working on her second documentary feature film, ĀØBrigada 2045ĀØ
OdĆn Acosta
Production / Sound Design
Partner of Phonocular, OdĆn has collaborated in more than 100 projects as supervisor, designer, sound editor and mixer from fiction and animation from his firm OA Sound.
His sound work stands out in ĀØZimboĀØ, ĀØLos AeronautasĀØ and ĀØCeruliaĀØ stop motion short films winners of the ARIEL award. He participated in the sound studio of the Talent Campus in Berlin in 2013. He made his debut as producer of the documentary film ĀØLejos del SentidoĀØ.
He is co-producer of Luna MarĆ”n's ĀØTĆo YimĀØ (Ambulante, FICM, BBC Long Shots) and SofĆa GĆ³mez CĆ³rdova's ĀØLos AƱos AzulesĀØ.
In 2019 he collaborated with the sound design of the exhibition ``At home with my monsters'' by Guillermo del Toro curated by Eugenio Caballero. That same year he concluded the feature films: ĀØLas flores de la nocheĀØ by Omar Robles and Eduardo Esquivel and ĀØSin OrigenĀØ by Rigoberto CastaƱeda. His most current job was production management and directing assistance for the second unit filming of Guillermo del Toro and Mark Gustafson's ĀØPinocchioĀØ